Douglas Adams is the best when it comes to describe characters
they need to teach classes on Douglas Adams analogies okay
“He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.”
"Stones, then rocks, then boulders which pranced past him like clumsy puppies, only much, much bigger, much, much harder and heavier, and almost infinitely more likely to kill you if they fell on you.”
"He gazed keenly into the distance and looked as if he would quite like the wind to blow his hair back dramatically at that point, but the wind was busy fooling around with some leaves a little way off.”
"It looked only partly like a spaceship with guidance fins, rocket engines and escape hatches and so on, and a great deal like a small upended Italian bistro.”
"If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly - again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.”
You forgot the best one though-
"The ships hung in the sky in much the same way that bricks don’t."
"but women have sex organs on their chests! I don’t walk around with my pants off!"
I think what you mean to say is “women have secondary sex characteristics on their chests”, not sex organs
in which case let me remind you that your facial hair and enlarged adam’s apple are also secondary sex characteristics
if secondary sex characteristics bother you and you feel they should be covered up in public, please feel free to shove your entire head in a bag at any time
I knew [In The Flesh] was a beautiful, beautiful, original script. Beautifully written and it was very original and different from anything else., I knew that. But I didn’t quite expect the following it would gain around the world and stuff. That’s totally mad and really exciting.
Newberry is hopeful that Kieren’s struggle and discovery of inner strength will make him a relatable lead character for viewers who might feel under-represented. “It does bring up really important issues that need to be talked about, like teenage suicide and anxiety. Kieren is an incredibly anxious guy, and In The Flesh talks about anxiety in a way that I don’t think many things do. Anxiety’s not spoken about, it’s sort of ignored, I think. Hopefully Kieren will be a voice for those people, that’s my hope.”